Posts tagged ‘melvin burgess’

September 5, 2011

Melvin Burgess: Kill All Enemies Blog Tour

Melvin Burgess:

Kill All Enemies Blog Tour

A few months ago, we linked you to a discussion from Melvin Burgess about his newest novel Kill All Enemies (you can find the post here if you missed it) and today we’re delighted to be participating in the blog tour for its release! Kill All Enemies just got a resoundingly good review in The Guardian which you can find here.

For our stop on the tour, we’re offering one book for giveaway. To win a copy of Kill All Enemies, please leave a comment on this post.

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Guest Post by Melvin Burgess
Bad Kids

We’re all aware of the recent riots, that brought so much opprobrium and loathing down on the heads of young people. How about you – did you have any sympathy for them? Now? What about the kids who disrupt lessons in the classroom, depriving other kids – maybe your child – of the chance to work hard, get an education and get on? After all, that’s surely what we want for all children; the chance to get on. Why should we have any sympathy for anyone, of any age, who stops that happening?

Bad kids. Who wants them?

I remember the story of one lad at my high school, a big lad – a huge lad, actually – who was a terrible bully. He did something bad – I’ve no idea what – and got sent to borstal. Some time later,

our headmaster came into assembly in a furious state. Apparently this lad had escaped from Borstal and been chased down by the dogs.

“Hunted down with dogs, like an animal!” he raged.

Wow! What a bad kid that was! You wouldn’t want him in the same class as your child, no way! We all lived in fear of him at school. When I look back now, he fills me up with wonder and wishes. I wonder what he did and how he did it. I wonder how he ended up there. I wonder what happened to him after? I wish he’d been different – for his sake, and for the sake of all his many victims.

Most of all, I wish I could sit down with him now and ask him to tell me his story. Not necessarily the story of that night he was hunted down with dogs. I’d love to hear it, but it’s not always the story of the event itself that tells you the most. I’d just like to get at the things that stick in his brain from his childhood. All these years later, he’d have a view on it. He’d have worked it all out into a story of some kind. It wouldn’t necessarily provide an explanation, or a theory; it wouldn’t be any kind of a reason an excuse. I just know this; that for him, it would sum up the things that happened in his life.

The stories that stick in our heads from certain seminal parts of our lives aren’t just memories. They’re myths – our myths. They express events and what they mean to us in narrative form. It’s what people do all the time. More to the point, it’s what novelists do as well.

There’s a lot of kids like that one – thousands, millions, perhaps, in most large towns and cities around our country. All of them have stories lodged in their heads and hearts, stories that describe, illustrate, illuminate, and clarify their lives. Somehow, amid all the clamour and theorising and policy and blame, those stories don’t get heard very often. In other words, these are young people who have no voice in society – no story, no myth. I think if we could, we would wipe them as thoroughly as we once tried to wipe out the myths and legends of aboriginal people the world over.

Of course, those youngsters do have stories to tell, and they love to tell them. All you have to do is ask. When you do ask, you get the whole thing there in front of you – voice, experience, people, character, situation – story.

Well, that was the idea of Kill All Enemies. I wanted to hear the stories of young people from deprived communities and try to get their voices down on paper. I went into PRU’s to talk to excluded students, and through youth workers to meet young people who’d had some really difficult backgrounds. I told them I wanted to write a book and would they tell me their stories. They responded with great generosity and pride, and told me all about what had happened to them.

Many of those young people were pretty dodgy. Most of them had been excluded form school at some time; all of them had been in trouble – some of them in serious trouble. They didn’t do well at school and most teachers would have been delighted to have them out of the class. They’re poor, disruptive and some, at certain times in their lives, had been actively dangerous. Many of them, I’ve no doubt, would have been out on the streets gleefully putting a foot through a shop window if they had half chance. And yet, so often, the stories they told me revealed a very different picture to the one you get from reading the papers. In fact, many of those kids were heroes. Real life, genuine heroes, who had been doing their very best for the people were important to them, the people who they loved and who loved them. The fact that it didn’t always leave them a lot of time for school was something anyone who knew their stories could relate to at once.

Kill All Enemies is a novel, of course, and there’s no pretence that the people in it are real, or that everything that happened in the book happened in real life. But behind each character there is a real person who set me off and inspired me to try and understand their life, or something like it, through fiction. I hope I did a good job – I’d hate any of them to feel I let them down.

Over the next few days on this little blog tour, I’m going to talk about the real people behind the stories, how I dramatised them and tried to give them a voice that they would recognise and that people would want to read. I hope you’ll want to follow it. So thanks to Bobby and Matt and Jamie and Callum, and to Deeta and Karen and Jen and Rob and Lisa and Joelle and all the rest of you. I hope you think it was worth your time!

- Melvin Burgess

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For the next step on the tour, please head over to Wondrous Reads.

For more information on Melvin and his other novels, head on over to his website. For a taster of his other work, please see our review of Junk which you can find here.

July 3, 2011

Book Babble: In My Mailbox the Other People’s Recommendations Edition (10)

In My Mailbox (IMM) is a weekly feature organised by The Story Siren. IMM is a post where you can show which books entered your house and it also gives you a chance to say thank you to the people that kindly sent them. To find out more about how you can join in click here.

Books I have mentioned in this IMM:
Kill All Enemies by Melvin Burgess | Goodreads | Our post about Kill All Enemies
Soulless by Gayle Carriger | Goodreads | The Review Diaries
White Cat by Holly Black | Goodreads | The Review Diaries
A Song of Ice and Fire boxset by George R. R. Martin | Goodreads | Amazon.co.uk
The Unknown Ajax by Georgette Heyer | Goodreads | Stiletto Storytime
Titus Awakes by Mervyn Peake and Maeve Gilmore | Goodreads | The Gormenghast Trilogy by Mervyn Peake
A Monster Calls by Patrick Ness and Siobhan Dowd | Goodreads | The Book Smugglers review A Monster Calls
A Need So Beautiful by Suzanne Young | Goodreads
David by Mary Hoffman | Goodreads
Maine by J. Courtney Sullivan | Goodreads

Giveaways every day with your favourite bloggers @ Guest Blogger Week!

June 25, 2011

Melvin Burgess: Kill All Enemies

For those of you who don’t recognise the name, Melvin Burgess is a sometimes- controversial British author of young adult novels. Perhaps most famous for his 1996 publication of Junk (later published in the US as Smack) – a novel which provided a highly-contentious look at teenage heroin addiction – he is also the author of the highly debated Doing It (2003), as the novel tackled a realistic view of teenage sexuality and practices. Doing It was subsequently made into a show for ABC titled Life as We Know It which, though critically acclaimed, was cancelled after one season.

I first came across Melvin Burgess when Junk appeared on the set list of novels for my Open University Children’s Literature course. I was astounded by the emotional punch of the novel and the unbiased view of the addiction portrayed throughout, whilst simultaneously being blown away by the insidious way that some attitudes worked their way into the text and the utter lack of moral didacticism that Burgess portrays, allowing the reader to come to their own conclusions about the social environments of the protagonists. You can check out the review here.

Nature/nurture is a theme throughout Burgess’ novels and I’m very pleased to say that he will be revisiting them in his latest novel Kill All Enemies. The novel is an exercise in what Burgess calls ‘found fiction’, visiting various Pupil Referral Units (the places kids go when they’ve been kicked out of school) and discovering the true heroes behind these supposed troublemakers. The novel is due out in September and we’re very pleased to be taking part in the blog tour to celebrate its release. You can find out more here.

Have you ever wondered about all those statistics we read about? The young people who are chucked out of school – the losers, the wasters … the kids no one wants? I Remember when I was a kid thinking about those kids – rough as hell, dangerous kids – the sort of people no one wanted you to mix with or have anything to do with?

But what’s the real story behind them?

Note: Our apologies for the errors in this post when it went up. They’re fixed and links work now!

March 12, 2011

Review: Junk by Melvin Burgess

Junk by Melvin Burgess

Review by Elle

Publication Information: Puffin / 6 Feb 2003 / 336 pages

Format: Paperback reprint. Junk was originally published in 1996 and is a 1996 Carnegie Medal winner.

Genre: Contemporary Young Adult

Where I heard about it: I read this as part of my Open University Children’s Literature course for my ongoing Lit degree.

Spoilers: Nothing that you won’t get off the book jacket or Amazon.

 

 

Review:

Tar loves Gemma, but Gemma doesn’t want to be tied down—not to anyone or anything. Gemma wants to fly. But no one can fly forever. One day, somehow, finally, you have to come down.

 

I’m not sure why I’ve been so reluctant to talk about this book. I’ve had the header information ready to go for days and days and yet when I sit down to actually write, I find that my fingers have turned to jelly and every letter I type out is gibberish.

I don’t often find characters in the YA genre who are genuinely beyond any help or intervention. In fact, one of the things that I love about YA fiction (most especially contemporary YA) is that there is generally a lingering sense of hope in the narrative. Sometimes this hope is present simply by being something which is inherent in the teenage experience (as a teenager, at the very beginning of everything, there is always a chance things could get better) and sometimes characters will only find hope by going through horrendous hardships beforehand. But, for me, even books about teenage suicide in the YA genre generally leave behind something hopeful for the remaining characters. And just so there are no misunderstandings on this point: I’m not talking about happy endings (if every book I read finished with a happy ending, I’d be one very aggravated Elle) but for me there has to be a sense that it was worth it, that something can be achieved at the end of it. That, even if there wasn’t a point to the suffering, everyone grew and learnt from it.

Junk hit me between the eyes like a sledgehammer because I knew, from the very first chapter, that there was no hope for Tar or Gemma. That, no matter how much they learnt and grew from the experiences they are dragged through, there was an inescapable sense of the inevitable. It was inevitable that they would fall because down was the only direction they had. For that reason, the book (though absolutely excellent) has dragged up a lot of lingering emotions for me and it has stayed with me days after putting it down. I still think about the characters weeks later when I’m zoning out of life and Thinking About Things.

 

Dad used to really hate me doing the housework for some reason, so I used to try and get it all done before he came home. That way he might think she had done it. So Mum left more and more of it to me, and was getting drunk earlier and earlier and I felt guilty because I was giving her less to do. They were having more and more rows and I was getting beat up more and more often…

That’s why I left. The trouble is… she depended on me. See? I kept thinking of the rows they must be having. I kept thinking about how angry he was going to get, how he’d tell her she’d driven me away…

 

For Tar, leaving home is a way to escape the endless abuse of alcoholic parents, who are an excellent double-team consisting of a manipulative mother and a physically abusive father. He is a quiet, sensitive kid who has tried his best to hold his family together and makes excuses for them at every possible turn. After all, his father is a teacher! Why would he have problems at home? For Gemma, however, leaving home is a form of rebellion against all of the rules that her over-cautious parents have set down for her as a direct result of all of the various things that they think is wrong with her. And, oh, there is a lot wrong with her. Gemma is loud, belligerent, selfish and spoiled – the complete antithesis of Tar, who is in turns unsure of himself, friendly to everyone and eager to just have a fair go at life. Gemma is the party animal to Tar’s homebody. In fact, Gemma initially sounds like everything that readers should really recoil from… but not so! Burgess expertly weaves their duelling points-of-view together so carefully and so underhandedly that I loved Gemma as much as I disapproved of her, I wanted her to succeed as much as I wanted her to leave Tar alone and I never once felt like throwing the book away after one of her tantrums.

The plot is an examination of homelessness and heroin addiction but the heart of the book is a terrifying view of how life shapes you without your ever knowing it. Who would have guessed that beautiful, insecure Tar had a dangerously destructive addictive personality and who would have thought that Gemma could ever be the voice of reason? As the book picks up speed, other people’s points-of-view are woven into the narrative and we are able to see Gemma and Tar’s downward spiral through the eyes of their friends, acquaintances and randoms they bump into along the way. Burgess integrates these interludes seamlessly and I never once felt further away from the main characters for them. As we are introduced to the hypnotically self-assured Lily, who is like an addition in herself, and the optimistic anarchist Richard, someone who has no idea how much of a part he’ll play in his friends’ determination to chase the dragon, we start to realise that things are not all as they seem and that perhaps Tar and Lily are not who they think they are.

 

She had this black string vest on. That was it. It took a while to sink in.  At first glance you saw this vest, it was just clothes. And then suddenly your eyes went POP, right through it, and there she was, bare as a baby. But some baby. I mean, you could see everything. It was quite long for a vest but even so when she bent over to put on a new cassette you could see her bare bum.

Everyone was watching her but it wasn’t because she was more or less naked. She had the power. People were talking about this and that but they were all just pretending. She was everything that was going on in that room.

 

Above all, this book is about perception. It is about how you see yourself and how others see you. It is told through pages of broken loves stories. It is the desperation to be far away from yourself without the means to do it. I defy anyone not to see parts of themselves in this book. Gemma and Tar’s experiences, though polar opposites from each other, are representations first and foremost of the teenage experience and what happens when there’s no one there to care. The book made me think about myself and made me ask questions I’d perhaps been avoiding answering. It was powerful and painful and perfect.

 

A month ago, I could have done it, but not now. A month ago I didn’t love her. I didn’t care about anyone – my parents or my friends or Gemma; I didn’t feel anything any more. I thought it was me being on top of things, I thought not feeling anything was better. It was junk. The feelings are there, all right. I was just so smacked out I couldn’t feel the feelings.

 

There’s been a lot of talk recently (a lot of really, really good discussions) about what is appropriate for young adult readers to have in their literature. But I genuinely, whole-heartedly believe that every teenager should read a copy of this book.

It could very well save a life.

Dandelion, Tar. Dandelion.

Overall rating: 10 decadent chocolate bon-bons: The best-of-the-best.

(For more rating information see here.)

February 28, 2011

News and Coming Soon!

We’ve had a busy, busy weekend here on The Book Memoirs so we apologise for not getting this post up lickety-split! Without further ado, allow me to announce the winners of Elle’s TBR or not TBR: Giveaway!

 

And the winners are…

 

#1 Catherine

#2 Emma Williams

#3 Su

Well done and look out for your emails, ladies!

 

 

 

 

 

There’s a lot of stuff happening behind the scenes this week on The Book Memoirs and we hope to have lots of shinies up very soon but, in the meantime, a sneak preview of what’s coming up this week…

 

 

Kate reviews The Westing game by Ellen Raskin

Elle reviews Junk by Melvin Burgess

 

 

The Great Big Sample Post: Part 1 ft. Kate

 

Elle completes February’s Book Look Challenge!

Yay! Lots of shinies. What’s coming up in your bookish week?

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